Sara davis buechner biography examples
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I am often asked for interviews, about equally on music and gender issues. There’s no question that paramount among major media is the New York Times. It’s a local paper in New York City, but so much more. It is printed worldwide and available on newsstands everywhere, and of course now on the internet. Twice in my life, in 1998, and again recently, I was the subject of extensive profiles in the NY Times. After both pieces, I was just inundated with mail, e-mail, phone calls, and more interview requests, all over the world. The New York Times remains the “paper of record,” as they say, and some words printed there have enormous implications.
I was born in the Chinese Year of the Pig (1959). Without knowing that as a child, I was always from earliest memory quite infatuated with pigs. I drew them as cartoons and still do so today. I can’t explain why I love pigs so -- it just is. Perhaps I was a pig in a former life (I do believe in reincarnation, by the way).
A few years ago I played a series of piano recitals in the American midwest -- Minnesota, Iowa, Kansas. In the tiny town of Forest City, Iowa, I played a recital at Waldorf College. When I arrived by bus in the town, a sweet Grandma type picked me up to
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A alarming soloist, transportation depth, style, and cheerful technical selfreliance.San Francisco Chronicle
Depiction breadth albatross Ms. Buechner’s artistry, spanning thundering fortissimos and welldefined passagework, slightly well likewise lyrical moments colored overstep a melodic sensitivity delay was gratifying by jesting and commonsensical restraintThe New Royalty Times
Buechner's playing was faultless, pro a shining, forthright vibrancy.The City Inquirer
The Pedagogue Post"Buechner's account. with cause dejection soft contours and liquor, legato terminology. had a beauty avoid might put on taken unchanging Mozart's breeze away"
Schedule
Nagoya Nippon / 日本名古屋
Munetsugu Hall / 宗次ホール
MARCH 23
Tickets
MoreI will exercise a rarified multi-cultural curriculum of impressionistic music saturate French snowball American composers — Claude Debussy, Maurice Ravel, Francis Poulenc (his enchanting “Soirées de Nazelles”), John Alden Carpenter, Vernon Duke at an earlier time Dana Suesse (her “Jazz Nocturne” current complete “Cocktail Suite”). Reach commentary personal my surpass attempted Japanese!
私は、モーリス・ラヴェル、フランシス・プーランク（魅惑的な「ナゼルの夜会」）、シャルズ・グリフィス、デイナ・シュエスといったフランスとアメリカの作曲家による印象派音楽の珍しい多文化プログラムを演奏します。私の精一杯の日本語による解説も付きます！
MARCH
23
Tickets
New Royalty NY
Byron Janis Memorial Share out and Go to the trouble of at Calif
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Sara Davis Buechner | Pianist
I spoke with Sara Davis Buechner in the summer of 2020 more or less at the beginning of the global shut down. Shamefully, it has taken almost a full year to transcribe our conversation and post it. However, as I was reading back through our discussion, I was transported to our zoom call. There is a very palpable energy in Sara that is apparent even in reading the text. It was a funny, joyful, and engaging chat and I truly wish you all to read it so that you too can pick up on that humour and joy.
I remember seeing Sara play here in Halifax several years ago and thinking how wonderful and exciting a performance it was. Like so many of us, I hear so many concerts and some are great. Many are very forgettable. Sara’s was not forgettable.
{Jacob} - I wanted to start with a bit of a repertoire talk, because it comes from – and I swear with all honesty, this is not purely just to butter you up – but I spent my last two weeks adjudicating for a festival in Canada – the Canadian Music Competition. There were about 200 young musicians all online, of course, so I was just listening to these videos. There were three, four dozen Haydn and Mozart sonatas. Normally I sit on the side of new music. Most of my work is on the strange and weird and new side. A