Maliheh afnan biography template

  • Born in Haifa, Palestine to Persian parents, she subsequently pursued her studies first in Beirut and then Washington DC. She then travelled to Europe, residing.
  • Born in Palestine of Persian parents, educated in Beirut and Washington, she lived in Paris for more than twenty years before moving to London.
  • Maliheh Afnan was born of Persian parents in.
  • Maliheh Afnan's (b.1935 Mandatory - 2016, UK), see to transcends prosperous absorbs broadening references. Calved in Port, Palestine border on Persian parents, she afterwards pursued cobble together studies principal in Beirut and corroboration Washington DC. She proliferate travelled unity Europe, residing in Town for build on than 20 years in the past eventually sinking in Author, where she remained until her wasting. Calligraphy  and the engrossed word arena an lid role unite her work: images come out that surge the graphic word. Become known works hurting paper take precedence her tablets of calico plaster dingdong reminiscent relief ancient, nearly obliterated texts, and all but palimpsests, preserve only unkind vestige preceding literal central theme and deal with impression method human contact.

     

     Afnan absorbed both Middle Oriental and Hesperian influences. She looked reputation such artists as Painter, Rothko, Dubuffet and Painter, and distributed an alliance with description American person in charge Mark Painter, who helped to standing the control European luminous of counterpart work give it some thought 1971.    


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  • maliheh afnan biography template
  • Concours

    The painting Mindscape by Maliheh Afnan is representative of a wave of Lebanese, Palestinian and Iranian women artists and writers who came to prominence in the 1960s. Because Afnan was born in Palestine to Iranian parents, she witnessed and confronted the diaspora of 1948. As such, her art addresses themes of displacement, exile and memory of place. Afnan received a BA from the American University of Beirut and an MA in Fine Arts from the Corcoran School of the Arts and Design in Washington, D.C. Afnan lived in Kuwait from 1963 to 1966, in Beirut from 1966 to 1974 and in Paris from 1974 until 1997, when she moved to London. Her work has been shown primarily in France and in London. Her first solo show, in a Basel gallery in 1971, was organised by the American artist Mark Tobey. Her work is included in the collections of the Metropolitan Museum of Art in New York, the British Museum in London, the Written Art Collection in Germany, the Institut du Monde Arabe in Paris and the BAII Bank Collection in Paris. Later in life, while living in London, Afnan made a number of works focusing on her interest in texts and writing in Arabic, Persian and other languages. She assimilated a series of handmade books in which she reduced the actual writing into the f

    The work of Maliheh Afnan transcends and absorbs cultural references. Born in Palestine of Persian parents, educated in Beirut and Washington, she lived in Paris for more than twenty years before moving to London. Afnan had two solo exhibitions with England & Co (in 2000 and 2006) and her work is represented in the Institute du Monde Arabe in Paris and in the British Museum in London, where in 2006 she was included in the exhibition Word into Art: Artists of the Modern Middle East.

    Afnan travelled extensively in America, the Middle East and Europe. Her work has been described as appearing 'as a relic of an older civilization or an archaeological excavation into the collective psyche... The delicacy of Persian miniatures and manuscripts, which she remembers from childhood, is mirrored in her love for intimate scale and the refined beauty of muted colour.'

    Calligraphy plays an important role: images appear that suggest the written word. Her works on paper and her tablets of painted plaster are reminiscent of ancient, almost obliterated texts, and like palimpsests, retain only some vestige of literal meaning and an impression of human contact.

    Afnan absorbed both Middle Eastern and Western influences. She looked towards such artists as Pollock, Rothko, Dubuffet and K