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The Catcher in the Rye Enigma: J. D. Salinger's Mind Control Triggering Device Or a Coincidental Literary Obsession of Criminals?
THE CATCHER IN THE RYE ENIGMA unearths the mysteries surrounding the 1951 novel The Catcher in the Rye, by J.D. Salinger - arguably the most controversial book of all time. Nicknamed the 'Bible of teenage angst', the classic novel, which is frequently labeled immoral by different groups, has been banned in various parts of America over the decades. However, the main controversy, and indeed the most common reason for it being banned, was that it either inspired or was associated with some of the most infamous crimes of the 20th Century. These crimes include the murder of John Lennon and the attempted assassination of President Reagan. The allegation directed at Salinger is that he (and/or his publisher) craftily implanted into the book neurolinguistic passages, or coded messages, that act as post-hypnotic suggestions or mind control "triggers." In turn, these triggers enabled CIA handlers to activate Manchurian Candidates for assassinations. Some conspiracy theorists also believe the novel was part of the CIA's now mostly-declassified mind control program MK-Ultra, and that while assassins were being brainwashed they were forced to read the
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Salinger
Salinger, Shane Salerno’s heavily hyped, 10-years-in-the-making documentary about the life of the reclusive author, had definitively lost me (and, judging by the snickers, much of the rest of the audience) by the time it got to the log-toting scene. This image—of a beefcakey young actor playing Salinger, nobly shouldering a large piece of timber as he hiked alone through the New Hampshire countryside—came near the end of a slapdash first hour, in which still photographs from Jerome David Salinger’s privileged early life in Manhattan were intercut with brief snippets of talking-head interviews from writers (John Guare, Gore Vidal, Robert Towne), actors (Philip Seymour Hoffman, John Cusack, Ed Norton), and a handful of Salinger’s contemporaries and acquaintances. (Most people who were truly close to the author during his life, including his surviving family members, understandably refused to participate in this tabloid undertaking.)
The log-tote wasn’t the first time Salinger employed the re-enactment technique familiar from countless History Channel infotainments, but it seemed to mark the moment in which the movie committed fully to its tone of solemn, literal-minded vulgarity. That same actor—a hunkier and more telegenic version of the lanky, long-faced, diff
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