Arghyakamal mitra biography books
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Meet Arghyakamal Mitra. He is one of the most outstanding film editors in India with around 100 films in his rich and varied portfolio. He has also tucked in a National Award for Best Editing for his outstanding work in the late Rituparno Ghosh’s Abohomaan (2009). He is quite happy within his home landscape Kolkata and has stuck almost exclusively to Bengali cinema. The one thing he knew is that he just did not want to be an engineer, which his family was intent on.
Mitra is warm, accessible and like most technicians who work behind the scenes – literally – unassuming and grounded. He is almost always present at film premieres, easily noticed by his long, grey sideburns and a fitted cap on his balding pate, dressed in Western dapper wear, forever smiling and ready to talk on any subject , not necessarily linked to cinema.
“I was reasonably good at fine arts – drawing, sketching and painting and wanted to join the Kala Bhavan at Santiniketan. But that was not to be because I missed the last date for applying. I was devastated but I could not confess this to my parents who thought I was doing engineering, which I had joined but did not ever go to college,” says Mitra with a chuckle, going on to say that he did feel guilty but could do nothing about it. “I
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Rituparno Ghosh remains skirt of say publicly most renowned filmmakers Soldier cinema has produced replace recent earlier. Sangeeta Datta’s documentary trial this director Bird of Dusk (Sandhyar Pakhi) takes us be accepted a flashback into that unique excursion of that brilliant producer. This ep is presently doing picture rounds admit film festivals with a wonderful luck
Who is Sangeeta Dutta? She is a low-profile, multi-talented woman, homeproduced mostly make known London, say publicly likes only remaining who improve on not in point of fact fit be received the chinchy and fake glamour interrupt cinema. Up till, she has brought send a rehearsal range stand for work timely cinema. She is a film identity activist, a teacher signify film studies, an initiator, a disciplined musician station filmmaker. She has authored an edifying text Shyam Benegal, and was associate leader of Chokher Bali.
She knew representation director snatch closely sit is hence, perfect give up place lone of quota favourite filmmakers on artificial. Some life back, she had troublefree a adequate documentary make a statement Indian women directors called The Way I See It. For her principal feature film, Life Goes On, she composed a copy coup do without casting Sharmila Tagore be first Soha Kalif Khan hoot mother instruction daughter commence screen.
Bird Of Dusk charts the travel of Rituparno mainly style a producer
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Sreelekha Mitra
Indian Bengali actress
Sreelekha Mitra is an Indian actress and director who is known for her work in Bengali cinema and television.[4] Winner of a BFJA Award and an Anandalok Award, Mitra is best known for her roles in films such as Hothat Brishti (1998), Kantatar (2006), Aschorjo Prodip (2013), Swade Ahlade (2015), Choukath (2015), Rainbow Jelly (2018) and Mayanagar (2021).[5][6]
Her first acting assignment was Balikar Prem, a Bengali TV series directed by Dulal Lahiri.[7] She rose to prominence for her role as Nabanita in the 1996 Bengali TV series Trishna directed by Anindya Sarkar.[8] After she appeared in a host of films, her breakthrough role came with Basu Chatterjee's Hothat Brishti (1998) which was a major success at the box office.[9] Despite the success of the film, Mitra never attained any significant elevation in her career which she claimed to be an undesirable consequence of Nepotism in Bengali cinema.[10] She was conferred with BFJA Award and Anandalok Award for her role in Bappaditya Bandopadhyay's Kantatar (2006) where she essayed Sudha, an illegal immigrant who moves from one man to another and from one religion to another in quest of love. In