Alto rhapsody brahms kathleen ferrier biography

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  • Kathleen Ferrier sings Chausson, Bach and Brahms

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    Composer or Director:(Amedée-)Ernest Chausson, Johann Sebastian Bach, Johannes Brahms

    Label: Decca

    Magazine Review Date: 5/1985

    Media Format: Cassette

    Media Runtime: 0

    Catalogue Number: 414 095-4DH

    Tracks:

    CompositionArtist Credit
    Poème de l'amour et de la mer (Amedée-)Ernest Chausson, Composer
    (Amedée-)Ernest Chausson, Composer
    Hallé Orchestra
    John Barbirolli, Conductor
    Kathleen Ferrier, Contralto (Female alto)
    Musikalisches Gesang-Buch von G. C. Schemelli, Movement: Vergiss mein nicht, mein allerliebster Gott, BWV505 Johann Sebastian Bach, Composer
    Johann Sebastian Bach, Composer
    Kathleen Ferrier, Contralto (Female alto)
    Millicent Silver, Harpsichord
    Musicalisches Gesang-Buch G. C. Schemelli, Movement: Ach, dass nicht die letzte Stunde, BWV439 Johann Sebastian Bach, Composer
    Johann Sebastian Bach, Composer
    Kathleen Ferrier, Contralto (Female alto)
    Millicent Silver, Harpsichord
    (4) Ernste Gesänge, 'Four Serious Songs' Johannes Brahms, Composer
    BBC Symphony Orchestra
    Johannes Brahms, Composer
    Kathleen Ferrier, Contralto (Female alto)
    Malcolm Sargent

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  • alto rhapsody brahms kathleen ferrier biography
  • Alto Rhapsody

    1869 rhapsody for alto, male chorus, and orchestra by Johannes Brahms

    Alto Rhapsody

    The composer c. 1866

    Full titleRhapsodie für eine Altstimme, Männerchor und Orchester
    Opus53
    OccasionWedding of Julie Schumann
    Textfrom Goethe's Harzreise im Winter
    LanguageGerman
    Composed1869 (1869)
    Duration12 minutes
    Scoring

    The Alto Rhapsody, Op. 53, is a composition for contralto, male chorus, and orchestra by Johannes Brahms, a setting of verses from Johann Wolfgang von Goethe's Harzreise im Winter. It was written in 1869, as a wedding gift for Robert and Clara Schumann's daughter, Julie. Brahms scholars have long speculated that the composer may have had romantic feelings for Julie, which he may have integrated into the text and music of the Alto Rhapsody. The text, with its metaphysical portrayal of a misanthropic soul who is urged to find spiritual sustenance and throw off the shackles of his suffering, has powerful parallels in Brahms's life and character.

    The work is in three sections: the first two, in a chromatically dense and wandering C minor, are for the soloist and orchestra and describe the pain of the misanthropic wanderer. The second section is an aria in all but name. The third section, in